It is a contemporary solo vibraphone work that draws from the principles of Minimalism and Serialism, blending both styles to create a reflective, evolving soundscape. The piece utilizes a sparse yet intentional structure, with repeating cells of rhythm and pitch that gradually evolve over time, highlighting subtle changes in texture, dynamic, and timbre. The piece is built on a foundation of minimalist principles, where short melodic motives or rhythmic figures are repeated and slowly altered, creating a hypnotic, meditative effect. Simultaneously, it is informed by serial techniques, where the organization of pitches follows a structured, predetermined order, adding a layer of tension and formality to the otherwise flowing, cyclical nature of the work. The vibraphone, with its sustained resonances and rich tonal palette, is an ideal instrument for this composition, allowing the performer to explore a wide range of color and articulation. The piece invites the performer to draw attention to the subtleties of sound production, exploring variations in dampening, articulation, and dynamics, which help to shape the work’s evolving structure. It reflects both the creative process behind the composition and the introspective, meditative journey the listener embarks upon through the unfolding of the music. It suggests a deep connection between sound, time, and motion, where each moment is both distinct and part of a greater whole.